A solo exhibition by Youmna Habbouche
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Les étendues salines, 2009, Digital pigment print, 30 x 79 cm, Edition 2/6
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Feu de liesse, 2009, Digital pigment print, 40 x 106 cm, Edition 2/4
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Pôle halluciné, 2009, Digital pigment print, 40 x 106 cm, Edition 1/4
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Il peut pleuvoir, 2009, Digital pigment print, 40 x 106 cm, Edition 2/4
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Le temps du ciel, 2009, Digital pigment print, 30 x 79 cm, Edition 1/6
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Ecrans de nulle part, 2009, Digital pigment print, 40 x 106 cm, Edition 1/4
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Après les certitudes, 2009, Digital pigment print, 30 x 79 cm, Edition 1/6
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Entre les lignes d'orages, 2009, Digital pigment print, 40 x 88 cm, Edition 2/4
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Lumières battantes, 2009, Digital pigment print, 30 x 66 cm, Edition 1/6
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Si rien ne bouge, 2009, Digital pigment print, 30 x 66 cm, Edition 1/6
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Extraits de chair 2, 2009, Digital pigment print, 30 x 66 cm, Edition 2/6
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Extraits de chair 1, 2009, Digital pigment print, Triptych, 40 x 40 cm each, Edition 1/4
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Musique de chambre, 2009, Digital pigment print, Triptych, 40 x 40 cm each, Edition 1/4
Youmna Habbouche’s exhibition consists of several series of triptychs, illustrating various details of the artist’s daily life and the world around her. Her subjects include scenes of everyday life in Lebanon (and other places), natural landscapes, urban views, portraits, popular manifestations, and others…
The format of the triptych allows Youmna the possibility to create unexpected alliances, whether on the level of her photographs’ themes, or on that of the colors, textures, and spatial disposition of her subjects. In this manner, she successfully manages to connect random-seeming elements in a dense, harmonious composition.
Ziad Nawfal
Youmna Habbouche’s exhibition consists of several series of triptychs, illustrating various details of the artist’s daily life and the world around her. Her subjects include scenes of everyday life in Lebanon (and other places), natural landscapes, urban views, portraits, popular manifestations, and others…
The format of the triptych allows Youmna the possibility to create unexpected alliances, whether on the level of her photographs’ themes, or on that of the colors, textures, and spatial disposition of her subjects. In this manner, she successfully manages to connect random-seeming elements in a dense, harmonious composition.
Ziad Nawfal