A solo exhibition by Benoit Debbane
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Amours decomposés, 2009, Enamel and acrylic on canvas, 120 x 200 xm
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Avec le temps, 2009, Enamel and acrylic on canvas, 120 x 200 xm
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Body Bag, 2009, Enamel and acrylic on canvas, 100 x 200 xm
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Cat I, 2009, Enamel and acrylic on canvas, 80 x 180 xm ●
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Cat II, 2009, Enamel and acrylic on canvas, 120 x 140 xm
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Fade Out I, 2009, Enamel and acrylic on canvas, 120 x 180 xm
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Fade Out II, 2009, Enamel and acrylic on canvas, 120 x 140 xm
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Flammable, 2009, Enamel and acrylic on canvas, 120 x 140 xm ●
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Heartburn, 2009, Enamel and acrylic on canvas, 120 x 120 xm
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In Loving Memory, 2009, Enamel and acrylic on canvas, 100 x 180 xm ●
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Le cœur quand ça bat plus, 2009, Enamel and acrylic on canvas, 175 x 235 xm
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Lie, 2009, Enamel and acrylic on canvas, 120 x 140 xm
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Peek, 2009, Enamel and acrylic on canvas, 120 x 200 xm
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Sleepy, 2009, Enamel and acrylic on canvas, 120 x 200 xm
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You'll be sorry someday, 2009, Enamel and acrylic on canvas, 120 x 140 xm
In Loving Memory solo show by Benoit Debbane marks a new phase in the artist’s work, where he explores new techniques, adapting his street art influences to painting, and where textures and layering become more present. The artist depicts a series of satirical and cliché portraits of women, who probably were part of his life, using a contrast of dark colors and rough brush strokes, and a three tone red-black-white palette.
Poem extracts by Léo Ferré or Charles Badelaire, words used as curses ex: “Lie”, there lies a constant back and forth between grave and hilarious. The painting becomes a purgatory and the portraits reflect a memory of a woman, with all its scars…
Poem extracts by Léo Ferré or Charles Baudelaire, words used as curses such as “Lie”, there lies a constant back and forth between grave and hilarious. The painting becomes a purgatory and the portraits reflect a memory of a woman, with all its scars…
In Loving Memory solo show by Benoit Debbane marks a new phase in the artist’s work, where he explores new techniques, adapting his street art influences to painting, and where textures and layering become more present. The artist depicts a series of satirical and cliché portraits of women, who probably were part of his life, using a contrast of dark colors and rough brush strokes, and a three tone red-black-white palette.
Poem extracts by Léo Ferré or Charles Badelaire, words used as curses ex: “Lie”, there lies a constant back and forth between grave and hilarious. The painting becomes a purgatory and the portraits reflect a memory of a woman, with all its scars…
Poem extracts by Léo Ferré or Charles Baudelaire, words used as curses such as “Lie”, there lies a constant back and forth between grave and hilarious. The painting becomes a purgatory and the portraits reflect a memory of a woman, with all its scars…